The Man Who Recorded The World

Years later I would find out about the work of Alan Lomax in keeping this music alive long enough to find my ears. A few months ago I was asked to write up a new Lomax biography for the American Songwriter Magazine website…

Alan Lomax: The Man Who Recorded The World
By Jon Swzed
Penguin Group

New biography puts the life and work of Alan Lomax in the spotlight.

In his quest for distinctive American folk music, Alan Lomax brought the songs of Burl Ives, Woody Guthrie, Muddy Waters and Leadbelly to a larger audience, and it’s no exaggeration to suggest that without Lomax’ contribution there would’ve been no 1960’s folk music revival, no Bob Dylan and a radically different pop music landscape in the world today. With Alan Lomax: The Man Who Recorded the World, author John Szwed illuminates the life and work of the titular folklorist, musicologist, author, archivist and promoter.

As in his excellent Sun Ra bio, Szwed fully immerses readers in Lomax’ world as he travels from his Texas birthplace, through the rural South during The Great Depression and up to New York’s bohemian scene in the 1960’s.

Read more here…

Joe Nolan <3

Our friends at Soft Skull sent this book to us while Insomnia was still transitioning to WordPress. This great read came out about 3 weeks ago, but it was such a blast we wanted to include it in our Sleepless Book Club write-ups.

Simon Reynold’s acclaimed first volume of post-punk memory sifting – Rip it Up and Start Again – went a long way toward exploring and explaining the various flowerings that bloomed from the bruised and bloodied blossom that was ’70′s punk rock. If you thought one volume of exhaustive, evocative reconstructing of the period would suffice you would be wrong, and Reynolds proves this point with Totally Wired: Postpunk Interviews and Overviews. The project is a bookend to the first volume and it completes an impressive cartography of that time and that music.

What Next?

Totally Wired is largely an oral biography; the story of a place, a time and a music told by the people who listened to it, created it and lived through it. Serving up 32 interviews with everyone from David Byrne to Jah Wobble to (one of Insomnia’s great heroes) James Chance, Totally’ (Along with Rip’) must certainly qualify Reynolds as the definitive chronicler of the period.  The later chapters of the book practically constitute a project unto themselves, allowing Totally’ to deliver an even clearer, deeper explanation of just what came after punk.

The interviews begin with Ari Up, the lead singer of  The Slits. The delightful miss Up is a fantastic storyteller and her remembrances of being the only dread-headed white girl step-dancing at Reggae parties are spellbinding – as are her recollections of a time when Punks, Rastas, Sticksmen, John Travolta disco-sadists and neo-Teddy Boys all collided on the street and on the stage as a new music attempted to rise from the ashes of punk.

Factory Records co-founder Tony Wilson is just as enthusiastic on the page as he was during the heyday of the Manchester music scene or as his on-screen persona (played by Steve Coogan) in 24 Hour Party People (Wilson died shortly after his interview).  Wilson’s chat with Reynolds is hilarious, but sweet and filled with been-there-done-that witticisms. Asked about what made Manchester music special, Wilson replies:

…Manchester is a great immigrant city…Dave Ambrose, a great A&R man, said that Manchester kids have the best record collections. That’s true. When he said that, I flashed onto a Hulme squat in the mid-eighties. Ranged against the wall  would be 300 records: an entire collection of samba records, a load of German noise bands, the entire Parliament Funkadelic…

James Chance, the book’s great hero (at least according to everyone at Insomnia), speaks at length about his humble Midwestern, American roots and his complete lack of technique as an alto sax player. Reynolds gives us the clearest picture yet of Chance, one of the most important artists-after-punk. Chance’s recollections fill in the blanks regarding the rise of post-punk in New York and the recording of Brian Eno’s seminal No New York compilation. Until a proper James Chance bio is written, Reynolds tete-a-tete is the next-best-thing.

This video features Chance with his band James White and the Blacks. This group fell somewhere between No Wave and “mutant disco”. They’re seen here performing in the film Downtown ’81 which stars a young Jean-Michel Basquiat and serves as a great musical snapshot of New York-after-the-’70′s:

The last sections of the book include a delightful handful of essays that find Reynolds reviewing the 2 films about New Order and Ian Curtis (24 Hour Party People and Control) and parsing through the complex mysteries of Public Image Limited. However, the book’s stellar section is “Ono, Eno, Arto”. It’s the best piece we’ve ever read about the way that the plastic arts have interacted with rock music from the 1960′s, through punk and beyond. It’s the kind of hipper-than-thou talking-point that many people speak on, but few get right. A complex and nuanced subject, Reynolds makes it look easy, properly drawing an arc from former-art-students-turned-earnest-rockers like Pete Townshend to artists-as-dilettante-musicians like Jean-Michel Basquiat. Along the way he sheds light on Brian Eno’s visual-conceptualizing of music and his creative heights on the thermal currents that rose  from the empty space that punk left behind.

Reynolds writing is consistently entertaining and insightful. His interviews invite you into intimate conversations and his essays are the rarest kinds of beasts – always engaging, but never self-important. He has illuminated the period after punk so thoroughly that every scholar that follows will have to begin their journeys in his footsteps. One gets the feeling that Reynolds owns the place, but he’s cool enough to let the rest of us squat for a bit if we’d like.

Totally Wired: Postpunk Interviews and Overviews was published by Soft Skull Press on August 17, 2010.

Support Soft Skull and Insomnia! Check out Totally Wired and other music book selections at The Sleepless Bookstore today.

We don’t care if you just hang out all afternoon…

Enjoy and leave a comment!

Stay Awake!

Joe Nolan <3

We were up late again last night, but were pleased to wake up early enough to enjoy a lovely day in The Old South.

After weeks of particularly brutal summer weather, Nashville is experiencing an unlikely respite with temps in the high 80′s and flagging spirits on the rise.

This weekend my pal Aaron and I checked out the new print of Breathless at the Belcourt on Friday night. The verdict? Amazing. The film has already opened and closed in a number of cities, but I believe it will continue touring for the remainder of this, its 50th Anniversary year.

Afterwards, we retired to The Street of Dreams where we drank a bottle of wine before I begged off of a longer evening with the idea that I wanted to have a productive weekend. Although I’ve had some trouble gathering traction on a few writing projects I have in the works. I did manage to create a new feature for this blog.

"Ha, ha, hmmmm...Stupid Muggles."

At the end of our upcoming posts you will find that I have returned to my classic Insomnia signature. In addition to the usual widgets I use to promote my musical projects, I’d also like to encourage you to check out a new venue we’ve opened on Amazon – The Sleepless Bookstore.

The bookstore will help us to tie our Sleepless Film Festival programming in with the brand new Sleepless Book Club which will make its debut in an upcoming post. The movies and books in the bookstore have all been hand-picked and relate directly to the content on this blog.

When you purchase my music or grab an interesting film or provocative book from the new store, you are directly supporting our efforts and becoming a part of the creating of these ongoing messages. Thank you in advance for your support.

"I can't wait to check out that bookstore."

To celebrate, here is another film we host on our YouTube Channel.

Portrait of a Bookstore as an Old Man is a one-hour documentary that serves as a wonderful character study of the titular man, but also of the titular bookstore. It is a funny and oddly touching film about writers, books, readers, age, eccentricity and the famous French literary destination Shakespeare and Company.

Here’s what the Open Culture blog had to say about the 2005 film:

Sylvia Beach first opened a bookshop with that name in 1918, and it soon became a home for artists of the “Lost Generation” (Hemingway, Pound, Fitzgerald, Stein, etc.) and also famously published James Joyce’s Ulysses in 1922. The shop eventually closed during the Nazi occupation of Paris. Yet a good decade later, an eccentric American named George Whitman established another English-language bookstore on the Left Bank and eventually rechristened it Shakespeare and Company. Whitman’s shop gave sanctuary to Beat writers – Allen Ginsberg, William S. Burroughs and the rest. And it’s this incarnation of the fabled bookstore that the documentary takes as its subject. Give the documentary some time above, and be sure to watch the last five minutes – unless you already know how to cut your hair with fire. Holy smokes!

Enjoy!

Be gentle in your sleepy hands on this world.

Be a killer in heaven.

Stay Awake!

Joe Nolan