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	<title>Joe Nolan&#039;s Insomnia &#187; Sons of Katie Elder</title>
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	<description>Stay Awake</description>
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		<title>COLORS 30</title>
		<link>http://joenolan.com/blog/?p=7083</link>
		<comments>http://joenolan.com/blog/?p=7083#comments</comments>
		<pubDate>Mon, 12 Nov 2018 04:44:14 +0000</pubDate>
		<dc:creator>Joe Nolan</dc:creator>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Bloods]]></category>
		<category><![CDATA[Blue Velvet]]></category>
		<category><![CDATA[Colors]]></category>
		<category><![CDATA[Crips]]></category>
		<category><![CDATA[Dennis Hopper]]></category>
		<category><![CDATA[Easy Rider]]></category>
		<category><![CDATA[gangs]]></category>
		<category><![CDATA[Hoosiers]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[Rebel Without a Cause]]></category>
		<category><![CDATA[River's Edge]]></category>
		<category><![CDATA[Rodney King]]></category>
		<category><![CDATA[Sean Penn]]></category>
		<category><![CDATA[Sons of Katie Elder]]></category>

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		<description><![CDATA[In the 1950s and 1960s Dennis Hopper was a young actor appearing in classic films like Rebel Without a Cause, Giant and The Sons of Katie Elder. But by the late 1960s Hopper was tired of directors telling him what to do. He felt like he knew better and he&#8217;d prove it if he could [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://joenolan.com/blog/wp-content/uploads/2018/11/hoppercolors.jpg"><img src="http://joenolan.com/blog/wp-content/uploads/2018/11/hoppercolors.jpg" alt="" title="hoppercolors" width="650" height="350" class="aligncenter size-full wp-image-7084" /></a></p>
<p>In the 1950s and 1960s Dennis Hopper was a young actor appearing in classic films like <em>Rebel Without a Cause</em>, <em>Giant</em> and <em>The Sons of Katie Elder</em>. But by the late 1960s Hopper was tired of directors telling him what to do. He felt like he knew better and he&#8217;d prove it if he could get behind the camera. Hopper got his shot with <em>Easy Rider</em> and he made good on his threats, transmuting a no-budget biker flick into an iconic cinematic statement of youthful revolution and kick-starting the greatest period of filmmaking the world has ever seen. But by the time Hopper followed up his success with the brilliant flop <em>The Last Movie</em> the actor/director began a long and storied slide into an oblivion of drugs and alcohol. </p>
<p>I&#8217;m thinking about Hopper tonight because 2018 marks the 30th anniversary of the director&#8217;s cops and gangs film <em>Colors</em>. Hopper got sober and made his comeback as an actor in 1986, a busy year in which he turned in four fantastic performances in <em>Texas Chainsaw Massacre 2</em>, <em>Blue Velvet</em>, <em>Hoosiers</em> and <em>River&#8217;s Edge</em>. But Hopper&#8217;s comeback as a director wouldn&#8217;t happen until two years later when he directed Sean Penn and Robert Duvall in the gritty cops and gangs film. <em>Colors</em>&#8216; concrete realism illuminated Los Angeles&#8217; gang culture before most American&#8217;s had ever heard of the Crips and the Bloods, and actual gang members were cast in the film. <em>Colors</em> also pointed a camera at the uneasy relationship between the LAPD and Los Angeles&#8217; black community three years before those pigs beat Rodney King and laid the groundwork for the LA Riots in 1992. </p>
<p>Here&#8217;s a great documentary about Hopper&#8217;s life and art&#8230;</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/lwKrS2EHTG4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
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