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	<title>Joe Nolan&#039;s Insomnia &#187; Raging Bull</title>
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	<description>Stay Awake</description>
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		<title>Midnight Express at 40</title>
		<link>http://joenolan.com/blog/?p=6878</link>
		<comments>http://joenolan.com/blog/?p=6878#comments</comments>
		<pubDate>Tue, 20 Feb 2018 04:54:40 +0000</pubDate>
		<dc:creator>Joe Nolan</dc:creator>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Alan Parker]]></category>
		<category><![CDATA[Bonnie and Clyde]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Easy Rider]]></category>
		<category><![CDATA[Francois Truffaut]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Midnight Express]]></category>
		<category><![CDATA[New Hollywood]]></category>
		<category><![CDATA[Oliver Stone]]></category>
		<category><![CDATA[Raging Bull]]></category>

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		<description><![CDATA[The high point of cinema so far has been the American films made between the late 1960s and the early 1980s. Roughly speaking, these dates constitute the New Hollywood period when failing studios turned to young, maverick directors influenced by the anarchistic re-making of genre cinema by European directors like Jean-Luc Godard and Francois Truffaut. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://joenolan.com/blog/wp-content/uploads/2018/02/midnight-express.jpg"><img src="http://joenolan.com/blog/wp-content/uploads/2018/02/midnight-express.jpg" alt="" title="midnight express" width="650" height="350" class="aligncenter size-full wp-image-6879" /></a></p>
<p>The high point of cinema so far has been the American films made between the late 1960s and the early 1980s. Roughly speaking, these dates constitute the New Hollywood period when failing studios turned to young, maverick directors influenced by the anarchistic re-making of genre cinema by European directors like Jean-Luc Godard and Francois Truffaut. Movies like <em>Easy Rider</em>, <em>Bonnie and Clyde</em> and <em>Raging Bull</em> are emblematic of this period of high art on the big screen where films about bikers, boxers and beautiful killers defied expectations while often also bringing boffo box office. </p>
<p>Another great American flick of the 1970&#8242;s is Alan Parker&#8217;s <em>Midnight Express</em>. Parker is a Brit, but the film was distributed by Columbia and written by the great Oliver Stone who won a screenwriting Oscar for adapting Billy Hayes&#8217; memoir of getting arrested for hashish smuggling and being locked-up in a Turkish prison. Stone&#8217;s script is a brutal document and Parker puts his audience in Billy&#8217;s skin behind bars and bereft of hope. Brad Davis is unforgettable as Billy and while the film was shot in a Maltese fort the depictions of the cruelty of Turkish justice are so savage and real-seeming that <em>Midnight Express</em> was screened as a cautionary tale for U.S. Navy sailors visiting Turkey for years after the film&#8217;s release. </p>
<p>Celebrating 40 years of <em>Midnight Express</em> &mdash; and its amazing Giorgio Moroder soundtrack &mdash; here&#8217;s an episode of <em>Locked Up Abroad</em> featuring the real Billy Hayes and the harrowing true story of his time in Turkey&#8230;</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/videoseries?list=PLdho19ONpbQe6iiQRX9BLdic3E5eQBMYU" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>Please subscribe to my <a href="http://www.youtube.com/user/joenolan13">YouTube channel</a> where I archive all of the videos I curate at <a href="http://www.joenolan.com/blog">Insomnia</a>. Click here to check out more <a href="http://joenolan.com/blog/?cat=23">Cinema</a> posts.</p>
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